Kate Reid
Released: 2009
Genre: Lesbian Folk,
Tracks: 10
Distribution: http://www.katereid.net/products.html
Kate is most assuredly a proud lesbian and she takes many opportunities to let her listeners know this. For those of us who also name ourselves as proud lesbians, the lyrics will carry a familiarity of shared experience.Only Dyke At The Open Mic will be one that not only gets wonderfully stuck in your head, but you’ll laugh out loud. Emergency Dyke Project Which began with Kate sitting in her car by the side of the road while crews shored up an overflowing river, got me in the end. I wasn’t sure where it was going at first, but Kate’s sly wit, good writing, and upbeat playing drew me in. As the song wound on it became about the living as a visible lesbian and the wish for recognition from each other and maybe the mainstream. Uncharted Territory has a humorous tone but goes a little deeper and shows Kate’s savvy commentary on being a womon, surviving violence, being out, proud, and oh so lesbian despite what mainstream society says a woman who plays and sings ought to be. These songs show off her liveliness with/in music, including driving beats and interesting arrangements using layers of instruments which I especially enjoyed.
For those of you who are Canadian, you may recognize the 1907 Robert Service poem The Cremation of Sam McGee. This one is fun musically and an interesting story, but it might be that it takes being Canadian to appreciate it fully. The longest selection on the CD, I was quite happy when old Sam McGee was finally in the furnace. Mind you not a bad song, but it did seem a bit out of place on this recording of otherwise lesbian-identified delights.
For me, Kate Reid really shines when she gets down with raw emotions. She can do this with her wit, but when she casts off the humor and shows her other sides, I feel that part in me come to life that says, “Yes, I know what this is.” With the song, Truck Driver, Kate invites us to see her as a young girl and her memories dreaming of freedom and the open road. This song makes me long for a pick-up truck and nothing but highway before me. Sisters, listen to this one for those long journeys and sing it sweetly like Kate. Reach To You is a tender love song, one which makes me teary-eyed and longing for love every time I hear it. Rise Up feels like another love song, but this is about the love of life and facing, knowing, and loving one’s self. The journey that is sometimes a struggle, but ultimately embodies hope, when coming to truly know the worth of one’s own heart and place in the world. No More Missing Daughters is sad at first, but as I listened… it, like so many of Kate’s songs, ends up brilliant with hope and the light of possibility. Rage is the catalyst. It comes through loud and clear. Women being murdered is not something any of us need turn away from. Here it feels like Kate is not only telling us a story, but also calling us to action. The music is strong and simple — a ukulele, a shaker, and Kate’s clear voice weaves a web of power and magic that gave me visions of women everywhere marching out to every place on earth and stopping all violence in one fell swoop!
I could play Kate’s newest album over and over again and as with her first album it is one I will be acquiring for friends. I’m Just Warming Up is a must-have for this dyke and I hope it is so for many, many more lesbians. This singer-songwriter deserves our attention. If you are fortunate enough to live in British Columbia, go see her perform live. Maybe it’s because Kate sings of such universal ideas for and about lesbians. Maybe it’s that she can string together words and deliver them in a clear, vibrant, and tender voice. Maybe it’s that she is a gifted musician who knows how to use both complexity and simplicity to carry her strikingly clever and meaningful songs to our ears. Whatever it is, Kate Reid’s music has had an impact on me and I wouldn’t have it any other way.
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